another pure remix 12 inch on falkplatz. mild pitchs dplay and irishman mano le tough took over the studio this time to create their interpretations of >i wont stop<, the track by subbroomassociation that was originally released on the >collabs volume one ep< on falkplatz_daten002. dplay concentrates on the vocals and distinctive hat patterns, building a warm, pushing and dark floorfiller around the original theme. mano le tough delivers a stand-out remix, in a slightly different mode to his past productions on dirt crew or mirau. here he pushes into the deeper layers of emotive housemusic. listen loud and have fun with this!

no time to take a breather, no time for a contemplative chill session - the second edition of bpitch control s werkschau (showcase) cd is about to hit the shelves! in line with the overall bpitch showcase concept, the new release is in no way just another run-of-the-mill compilation of best-of tracks, but rather a selection of extraordinary and highly functional club gems that represent bpitch s harmonious concept as perfectly as they demonstrate its musical breadth. the most noticeable characteristics the three extended versions share are their vocal presence and the extremely distinctive way that the artists make use of language and voice. in contrast, the fact that the ep is perfectly arranged for the dance floor comes across as almost a matter of course, and every track exhibits this inherent feeling in equal parts - with it truly coming to life in cormacs >the present<, which opens the albums a-side.

wandler has been putting his distinctive musical stamp on zurichs techno map for many years now. his euphoric and yet deep and straight dj & live sets regularly turn the crowd in an addictive madness. just in time for the comeback of his home label motoguzzi records, he delivers an uncompromising release with two strippeddown dark tracks for the sweaty floors. pure rhythmic soul confessions! charted by d.diggler, dubfire, gel abril, james holden, jeroen search, john selway, m.a.n.d.y., matthias schaffhäuser, lucy ...

7th sign warmly welcomes marcellus pittman to the label. with a distinctive sound that pulls together soul and electronic texture into a form without compare, marcellus already boasts a formidable track record. he is a member of the seminal 3 chairs alongside kenny dixon jr., rick wilhite and theo parrish. as if this werent enough, his remarkable releases on sound signature, track mode, fxhe, fit and his own unirhythm imprint have further cemented his position as the hottest modern producer around today. here we have three glorious tracks that show different sides to his character but all sharing a common purpose - to move bodies and minds.

modern amusement is a new act from an established la recording artist known best for his hot creations. the release also features gps, a moniker taken on by a highly respected producer who has recorded for no. 19 and wolf + lamb. the >cold as ice ep< features 3 stunning records that cut up some rather distinctive vocal tracks in a trio of brillint original recordings.

for is 3rd release on musique risquee, after the well acclaimed dirty lipreading single and is first full lenght foe destroyer, stephen beaupre is back with a really solid record. thats all there is to say. gl’amour as the distinctive signature of stephen beaupré, his subtle use of vocals, strings colored with warm echos layered on a big and chunky drum beat. you can easilly acknowledge is natural sens of storytelling unfold in a brillant way. on the flipside, when you have it, would be an excellent way to summarise stephen electrifying live sets: funky, melodic hypnotic and sexy. we are very proud of this last one, hope you enjoy as much as we do.

supported by luciano, timo maas, pig & dan, anthony collins, woody, dustin zahn. rifraf is rafael gimelstein, recently relocated from sydney to berlin, born in lithuania, raised in israel, flowered in sydney. classically trained violinist, deep as fu*k party organiser and creator of sydneys earthdance festival, rifraf is now full time producer making his distinctive sound in electronic music world. philosophy started as a casual recording of his granny klara telling stories about her time in a concentration camp in germany, and singing the yiddish song tumbalalaika and ended as a very intelligent moving sound collage. the whole peace is a trip, which feeds you constantly with changing noises and visions. although philosophy is transferring a lot of aural information, it is never telling to much and still works perfectly on the dance floor. its just an intoxicating musical tale which drives you on a wild journey. with the both remixes, one of alexkid with his deep as fu*k remix and phillip baders off runner the release get its pretentious dance floor alternatives. fifteen seconds close this fine ep, which rafael did in coop with the young israeli producer omer from tel aviv.

a real bass smasher is toubi mcweirds second ep on 9volt musik. it comes with all what propulsive techno needs: heavy basslines rocking beats and a pinch of toubis distinctive weirdness.

rmxs by wolf & lamb, fcl and la fleur .fresh from the summer success of his solo ep hold on, dj nibc returns to close the year with his famed collaborative project alongside jonas rathsman, stuffa. following in the footsteps of their 2008 anthem >pretty girls<, stuffa are primed with proof. an infectious slice of uplifting late-night house with dubby twists, thundering piano chords and soulful vocals, enhanced with a selection of remixes from some of electronic musics elite, and with the striking, windswept vinyl artwork of annika berger. the original mix of >proof< is propelled by a skippy tech-house rhythm, while layers of dub reverb weave over, around and about its distinctive vocal snatch, interplaying with it blurred piano chords.

ed davenport is the next artist to have his say on len fakis figure spc imprint, taking his distinctive slant on late night body music into a new personal dimension. stretching out over 10 minutes, >take heart< throbs like a first love, dizzy on pheromones and the promise of kneetrembling basement action. fellow uk-import-to-berlin mama provides the telling vocal message. on the flip, eds >weird organ< is a straight up floor-troubling weapon - dark, taut and bristling with malevolent energy. perhaps his heaviest moment to date!?

a spiral of evolving and heady, sample-laden tracks unfurl on paco osunas latest ep, a richly produced melding of continent-spanning talent, with paco partnering up in the studio with real-life amigos daniel sanchez, alex under, joseph capriati and alexi delano. the amigos ep presents driven, moving grooves with satiating build ups, over densely-layered samples and drums. osunas seasoned skill-sets in the dj booth and as a producer come together knowingly in this release. osuna and his dutch/spanish counterpart daniel sanchez combine melodic and percussive samples in kawuriel, whilst with madrids alex under as his cohort, osuna transfixes with waaaa - featuring a distinctive pitch shifting sound throughout its phasing. your understanding of its unusual name will become abundantly clear upon the first listen. also notable is wope, which contains woodblock-esque percussion samples that compliment the rolling bass, co-produced with italian musician joseph capriati. the eps finale, waxfix, is a combination of the talents of osuna and swedens alexi delano, resulting in another cleverly-derived arrangement of steady bass drums and strong high hats. its a well-locked and smoothly syncopated, loop-based groove

prompt has been producing electronic music since the mid 90s and during this time has made a string of outstanding eps, some of which have even won awards. but who exactly is this man from madrid: prompt? to stand on a stage and party for hours in his own world is not prompts style. he would rather sit in the background of his studio and create unforgettable and ever more fascinating tunes. his debut ep on highgrade set the tone for his convincing mix of sound design and subtle hooks. these are also the most important elements for his new highgrade release. in >sharing sounds< its all about deepness. expressed through dense loopy forests and deep broken valleys. you have to engage in the sound experience and see the world prompt has built for you. few other techno producers have such a distinctive style or unique voice. with this ep you could be blindfolded on the dance floor and you would still recognize the music. the sound will convince you once again, both in the club and on the turntables at home.

with the >debut remix album< alfred heinrichs scored on subdub in all charts through the ceiling. now he puts on mimique the >all about me e.p.< after 2 great songs in the distinctive style of heinrich. as known from alfred, fits his sound is not in a drawer. the galloping bass, the hot breaks and vocal snippets push the two songs at the heart of heinrichs night. rounding out the e.p. is the philip bader remix of >all about me<. this comes with a brash, cocky driving house beat around the corner.

first on decks.de !! wavering minimal compositions by german techno aficionado felix bernhardt. (a1) felix bernhardt - black donkey : a massive piece of bass concentration mixed with a round sound structure, sampled vocals and a thrilling build-up for explosive dancefloor moments. (a2) felix bernhardt - die lustige lokomotive : felix bernhardt starts the track with playful, melodic bleeps merging into a hammering peaktime track - quirky, dynamic and groovy all along. (b) felix bernhardt - black donkey (wahrlich & carbon remix) : with a pounding beat at the beginning, the remix of >black donkey< comes along rougher and more minimalist than the original. the track develops its own force due to its distinctive melodic sequences.

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!

hot on the heels of the recent greg wilson/ray mang edits paper recordings have enlisted the remixes talents of two further hot acts in the form of faze action and brennan green.
first up we have faze actions re-edit of >drop your weapon<, a rolling and bouncing slice of funk laden modern disco that uses the distinctive guitar licks from the original and drops layers of bass, pads and drums to create an instant anthem!
on the flip we have the superb brennan green who takes >3 play it cool< and develops it into a loopy and percussive deep house masterclass, using subtle melodies and taut yet organic sounding drums. this is perfect late night tackle and provides a perfect counterpart to the upbeat disco stylings of the a side, wonderful stuff.

first on decks.de !!! advanced electronics with an distinctive argentinian touch.
a1: liquen - a wide range of experimental yet carefully chosen sound structures framed by a massive rhythm section - south american new school techno which is gloomy and beautiful at the same time.
a2: neutro - motorized intensity focussing on a unique variety of obscure twisted synths - haunting sound art for minimal diehards.
b: rain cover - a deeply refreshing slice of minor-key-based musical stimulation, dominated by plain rhythmic patterns and riddled with subtle sound effects.

after the success of >slow burn< as well as the licensing of >dirt< to mr. ben klocks berghain mix compilation, echologist returns with another slice of psychedelic dub techno with remixes by frances techno king terence fixmer and arguably moscows finest producer, anton zap. the original mix is a slowly builds into a blaze of cavernous chord changes and a 4/4 groove powered by an unelenting sub bass. the distinctive sound of this track is what seperates echologist from all the other dub techno composers out there. terence fixmer takes the elements and transforms them into his signature techno workout that packs as much punch as it does finesse while anton zap strips things down and builds a super spacious hypnotic house groove that has become a trademark of his ethereal sound. all round another essential release from echologist.

finest tribaling techhouse tune styled up wit distinctive vocals and a cool alejandro vivanco remix. big with kabale und liebe, monika kruse, tim green, brett johnson

good guy mikesh is well known for his track -milk & honey- which was on the fabric 51 by dj t. and formerly released by liebe*detail spezial. with the single spare, good guy mikesh proves his talent for contemporary club- and popmusic. a rough and sometimes dark baseline layer underlines the magnificent detuned vocals. spare is a song that can enchant us listeners either in the club context or at home. remixes come in courtesy of christian löffler, axel boman, marbert rocel and mano le tough. christian löffler gives the original his trademark sound and makes it a melancholic piece of deep techno. axel boman is going straight to the floor with his remix of spare. adding clubsuited sounds and clicks this makes it a deep house version of the original for the djs to play out loud. marbert rocels version of >spare< is a playful one, the disco elements and the added sax line gives the track its distinctive sound of marbert rocel . mano le tough adds a few synth-lines to the original and makes it good for both: homelistening and club. supported by: marquese, tristen, john roberts, soul clap, dj sneak, lexy, tobias thomas, paul loraine, m.a.n.d.y., anthony collins, paulo olarte, alex tepper, butane, ripperton, nuno dos santos, milly de mori, sven tasnadi, eddy richards, nooncat, guy j, david keno, murat kilic, jesse rose, simon beeston, someone else, patrick zigon, chris lattner and elektrosalz

orange butter ep is a two- track production by the in georgia born artist lado with two remixes by tobias w. (r÷mer records). following his intuition lado gently takes your hand and attends you with distinctive sensitivity for moods and atmospheres on the dancefloor through the nightly frenzy.

the routes are shinichi nakayama (drums), toru nishimuta (bass) and chris jack (guitar/vocals). taking influence from amongst many others link wray, the yardbirds, the animals, the sonics, the wailers, the downliners sect and hound dog taylor, the routes distinctive sound featuring chris sublime guitar playing is a must-have for any garage fan.

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

supported by: reboot, sis, lauhaus, gregor tresher, marc romboy, matthias meyer, anthony collins, kabele & liebe ,.. debuting just in time to move summer dancefloors around the world, alex niggemann, superlounge and marc poppcke present their label: soulfooled - a new platform designed to welcome music enthusiasts, artists, dancers and performers to their own distinctive brand of house music. with a mission to mix club oriented production style, a passionately independent label identity, and the emotive deepness of house, it s no surprise that artists like till von sein, chopstick and david durango are already on board, as well as the gentlemen bringing you this first soulfooled release: audiofly and dualton.the double a side vinyl kicks off with backroom buziness by london/barcelona transplants audiofly.

support by: kenny larkin, ripperton , martin landsky, lauhaus, ben watt, deetron, oliver huntemann, king roc, h.o.s.h., wally lopez, technasia, andrÚ galuzzi and many more for their latest release systematic recordings head honcho marc romboy teams up for a french-german project with one of the hottest producers on the scene right now, montpelliers rodriguez jr. as a member of the >the youngsters< rodriguez jr has released two techno milestones on laurent garniers f communications, and josh winks ovum recordings. most recently, having focused on his solo project, labels including mobilee, mothership and boxer recordings have all brought us his distinctive productions. >lac de nivelles< sees the pair creating a beautifully fresh and epic, summer masterpiece. its warm analogue sounds deliver the perfect touch of soul, making it a sure fire festival burnerà

repress in solid black ... releases for raum, drumpoet, oslo and his own deep vibes imprint have made sascha dive one of germanys most sought after producers. he now makes his highly anticipated tsuba debut with >jus groove< and as expected sascha delivers a killer for the dancefloor in his own distinctive style. the title says it all, an incessant groove based around a vocal sample from mr v. for the remix the legendary chez damier steps up with a classic house interpretation worthy of a man whose cv includes kms, the music institute and prescription.

guillaume coutu dumont has been unstoppable over the past three years. since releasing his debut album, face a l est, on montreals musique risquÚe label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquee, oslo, cocoon and many more. he has also kept up a nonstop touring schedule, wowing crowds the world over with a dynamic live show that never sounds the same twice. throughout, he has developed one of the most distinctive styles in contemporary house music-a deep, powerful and original fusion of afro-latin percussion, instrumental melodies, soulful vocals, and intricate rhythm programming. now, with his new album breaking the fourth wall, he takes another big step forward.

space ranger comes from the stars. the trio based in stuttgart have a wide experience and an unlimited love for music. in their previous disguises they have done remixes for the likes of kool & the gang, sugababes and kurtis blow, but now they are absolutely focused on this new project. space is the place. he three members their dj careers in late 80s / early 90s and they are strongly influenced by the deep club sound of those days. combining sophisticated production skills, a huge range of analogue equipment and a long-term experience of what works on dance floors around the world they know how to move the crowds. by accessing to samples taken from a huge collection of old-school dance, disco and soul records they are creating the distinctive and sophisticated house and disco sound of today

nice price deal !!! >a night on the wonk< is on an experimental tip with highly addictive horn and chime hooks. the gemmy remix takes the chime section, gives it some of the well known purple treatment and turns it into a highly distinctive but slightly sickly intro. i say sickly but thats perhaps because i have listened to it a lot of times in a fairly short period of time. however we are then treated to a bleepy roller with moderate variation to keep things interesting. this makes it perfect for an early set or casual listening. >detached reality< crackles its way through some haunting vocals and evil guitar riffs creating a tense but soothing atmosphere ? detaching you from reality, sinking you into your seat while your mind starts to play tricks with itself. what are we really here for?

following their intuition tandem gently takes your hand and attends you with distinctive sensitivity for moods and atmospheres on the dancefloor through the nightly sensual frenzy. music for clubs and souls!

nice price deal !!! 8 years after his first vinyl release georg levin can already be described as a long-time yet unlikely member of berlins electronic music scene. with both his solo project and his production outfit wahoo he is definitely too much on the soulful side to be a typical representative of the techno and rock sound the city is known for. however, it may be this supposedly alien surrounding that gives his compositions and productions a distinctive blend. to his credit georg also had a no.1 on traxsource in late 2009 as a precursor to the release of this, his second album album and debut for bbe.

odaka (also known as rawakari) delivers some nice abstract techno in the best idm tradition. he dabbles here with a flurry of machines, to obtain that distinctive analogue sound to go back to the basics. even the graphic design is the result of a more back to basics technique, without the assistance of a computer once again, but rather via sketching and plain and simple drawing. a very sincere and sympathetic release on this belgium label (brussels to be precise, wallonia, roughly same areas as confined). record is mastered by pascal demez (herrmutt lobby, kadah/vresky) check!

releases for raum, drumpoet, oslo and his own deep vibes imprint have made sascha dive one of germanys most sought after producers. he now makes his highly anticipated tsuba debut with >jus groove< and as expected sascha delivers a killer for the dancefloor in his own distinctive style. the title says it all, an incessant groove based around a vocal sample from mr v. for the remix the legendary chez damier steps up with a classic house interpretation worthy of a man whose cv includes kms, the music institute and prescription. like all colours releases each 12inch is on coloured vinyl - this time red - shrinkwrapped and strictly limited to 500 copies. be quick!

karizma returns with a heavy remix package featuring versions by osunlade, atjazz, deep order and karizma himself. yoruba soul legend osunlade has transformed good morning (featuring vocal diva monique bingham) into a deliciously jazzy soul extravaganza. like diving into a melted chocolate swimming pool… next up, karizma takes his own track and gives it his distinctive club floor treatment turning this soulful song into a dancefloor beast as only he know how. then flip to the b-side for a truly astonishing tech house remix of groove a k ordingly from the one and only atjazz, causing absolute dancefloor mayhem. add to that a dub from the mysterious deep order, (from the atjazz lable) who turns in an electronic tech dub to rock the spot

the debut album by kontext on immerse records. blending key elements of dubstep and techno with classic glitch signifiers and idm, his music is instantly recognizable and utterly distinctive.

sa19 ep bring us a side with percussive anthem >la caja herramientas< with its growling sub baseline, into a full on dirty techno stomper with loads of essential breaks, edits, and filters for another sa powerful and distinctive dance floor bomb that will guarantee a rawkus. b side >ritmo magnifico< takes a more straight forward approach with its pounding vibe, funky hypnotic riffs, and filtered effects. the same side b2 track >con gusto< stormin track, with its haunting overtones, vocal stab, hypnotic deep sub bass that will cause dance floor pandemonium. enjoy and play this strong croatian ep!
expected support from axel karakasis, spiros kaloumenos, cristian varela, bando, dave the drummer, dj murphy, pedro delgardo, stephane signore, carl falk, etc ...

gramophonedzie delivers one of the most distinctive club bombs of the year with why dont you, used as a dancefloor weapon of choice by the likes of tony humphries, roger sanchez, dj sneak, kevin saunderson, carl cox, dennis ferrer and norman jay and gaining tremendous support on bbc radio 1. an addictive concoction of house, funk and classic swing, why dont you is set to be one of 2010s biggest crossover hits, providing the perfect feel good antidote to the january blues. in addition to the original, remixes are courtesy of bingo players, trevor loveys and greenmoney.

big with: loco dice, seth troxler, ryan crosson, guy gerber, shaun reeves, robert babicz, tom pooks ...
ok now. we got our new storming release on highway ready to rock! body-movin, heavily dub influenced and indemand ep by wols (a new dubby astrobard-hop project by krasnodar based modul guys well known for their level, harthouse, pro-tez and ostwind appearances and distinctive deep electronica sound). this hot piece of wax will surely take you on a fully energized trip. original >bushmans oversized vibe< is a heavy ethnic floor stomper - broken, flowing and absolutely magnetic. filled with headbanging twisted vocal cuts and ancient mojo rhythms it will launch your spirit far beyond the neighbourhood. this is a definetely high quality explosive vibe tribe dub-unit! but even dont try to stop here - continue the ride with great remixes by guti (from desolat stables run by loco dice) and greg parker ...

the d arcangelo brothers somehow forgot about the downtempo side of things for this ep on the warm and freaky 030303 imprint. unlike on their releases for rephlex we hear mid and highspeed chicago influenced stuff thats a big treat for fans of gescom, stinkworx and afx (some stuff brings back memories of his helston flora mix of baby fords normal). mind you, theres still a distinctive d arcangelo sound to all of this jackin. what are all those false and sleepy melodies for? to confuse us? what a mindfuck this psychedelic minialbum is!

tanzbar limited // well known from his releases and remixes on labels like ostwind, blu fin, bondage, stereo 7, kiddaz and many many more, leipzig based marc depulse joins tanzbar musik with his fantastic tech-house hymn vanilla! with more then 50 releases and remixes over the last 7 years, marc creates his own distinctive sound. minimal-tech-house-techno or just great electronic music! his first own release on tanzbar limited includes the original mix of vanilla and a remix from the tanzbar headz binary & durden

tonbaumeister’s love for electronic music roots deep in the late eighties when he got his first computer, a commodore c-64, and when he instantly fell for the distinctive sounds of its sid chip. always driven by this passion he since then devoted himself to producing electronic music on various computing platforms and with multiple different programs to discover and soon constantly reinvent his own style. growing up in hessen, in the very heart of germany, he was deeply influenced by the endlessly evolving styles of house music and techno, which shaped the face of the vibrant club culture in cities like frankfurt and kassel. although tonbaumeister’s style might prematurely be declared as house music, the diversity of his productions makes it almost impossible to put them in a box and label them. his energetic tracks range from straight house to tech house to almost dark technoid characteristics, but suddenly one finds oneself surpr ised by the aforementioned sounds of late eighties computer games embedded in a psychedelic landscape with rough sawtoothy baselines. as hard as it is to pin down his production style, it is even harder to label his dj sets, which, as well as his productions, constantly evolve and morph while mirroring all of tonbaumeister’s influences. since 1999 he developed a passion for djing and he has had the chance to transport his enthusiasm into a number of clubs, infecting many clubbers with his verve. at the moment he is about to launch his own label subclinical

a collection of super rare and highly danceable masterpieces recorded between 1969 - 1981 by four legendary composers from benin: antoine dougbe, el rego et ses commandos, honore avolonto, gnonnas pedro & his dadjes band each one of them with their own distinctive sound. this compilation comes with a 40 page full colour booklet with ultra rare pictures and biographies. fasten your seat belt and enjoy the mind blowing sound of benin.

circus company welcomes a new artist on the label: the homewreckers. named after a track by southern soul legend sam dees, the production collective from germany has been moving and breaking new ground between detroit techno, abstract funk and melancholic disco music since 1995. their debut album amercian ruhr has been released on unique records in 2008 and creates an absolutely distinctive sound which seems to come straight out of a from a feverish dream populated by the ghostlike figures of larry graham, juan atkins, frank hutter, bernard edwards, erik b or al green. the not my business ep perfectly shows how the homewreckers flow on these two original tracks. you feel the funk, you feel detroit and you feel a deep and unique sense of music. cherry on the cake, you got a remix from san francisco based artist dave aju who is back on the label after his much acclaimed album open wide released in 2008. not my business isnt their first shoot on the label as they were already part of last months snuggle & slap circus company compilation with a brilliant live-version of chicago urban blues.

spirit catcher is becoming more and more a permanent member of the systematic family. after their debut e.p. last year and their contribution to the >5ysyst< project last summer, these three tracks are their latest productions on my systematic imprint. something which always impresses me a lot is how jean and tom continue todevelop their distinctive spirit catcher sound, no matter if they release on 20:20 vision, nrk, moodmusic or elsewhere. its always an awesome mixture of fluffy driving house beats, a portion of deepest darkness and freshhypnotic sounds figures! i love the way how they do install the dark organ melody at >sedona<. the organ soundspretty outta space and lets me float away once i have closed my eyes. also, the mystic mood at >future fools<generates me a goose skin, every time i hear it. (marc romboy)

dualism are kwamina and gab from zurich. they produce music since 2005 and had their debut release on pheeks label archipel >dualism speech defect ep< in 2006.
today their sound appears minimally as twisted, queer-melodic deep and wicked techno with much love to the detail. their sound surprises with unconventional rhythm-structures and many-layered sound-design. their distinctive style and preference for idiosyncratically and broken sounds as well as the clever use of vocal snippets is always present on their productions.
the name-giving track of this ep is remixed by dapayk and also by estroe.

session victim - berlin/hamburg based duo of hauke freer and matthias reiling - return with the next installment in real soons occasional limited edition series. the late runner ep follows two well received real soon releases - session victims no friends ep (2008) and hauke freers my beat 12inch (2007). the four tracks here continue session victims exploration into their distinctive brand of low key tech/house minimalism - their productions combine a confident timeless simplicity with a subtle attention to detail & texture and a clever ear for melody. as well as real soon, session victim have previous releases on hairy claw and their own recently launched label retreat.

luke slaters mote evolver label is not pulling any punches. having shaken the techno scene to its boots last month with the release of ortin cams no-holes-barred >carnage<, the label moves on to their funky 13th release.
the name cari lekebusch is synonymous with what has made techno the musical powerhouse that it has become. globally recognized as a founding force behind the swedish techno movement alongside the triumvirate of adam beyer, jesper dahlbäck and joel mull, lekebuschs distinctive musical style and creative integrity has graced leading label from drumcode to soma to harthouse and turbo and spawned a career that has maintained over nearly two decades.
spindizzy is a deftly crafted funked-up tech house track. constructed from a palette of harmonically aligned keys, bass and horns, its intensity comes from the measured way in which each element is given the space to breath its own energy into the mix. pacey but musical, subtle yet memorable, this is a standout record.
luke slater adding his bass sodden l.b dub corp twist to the track completes the package. deeply dubbed-out tribal rhythms take the mix on a more left-of centre path that winds through a busy soundscape of atmospheric acoustics that seem to breathe in deeply before being exhaled in a release of firing percussion.

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it